NEW YORK (JTA) — When Helène Aylon was a girl in Borough Park, Brooklyn, it was impossible to imagine she would one day become a barrier-breaking fine artist. After all, the principal of the Shulamith School for Girls, where Aylon was a student, persuaded her parents not to allow her to attend an arts high…
Mierle Laderman Ukeles seemed overwhelmed. She had just returned from a month-long stay in Israel at the height of the horrors, and was now playing catch-up as the official, but unsalaried, artist-in-residence at the New York City Sanitation Department, a gig she has held since 1977. As a longtime champion of the department, Ukeles has…
Helène Aylon is an activist artist whose work has been shown in MoMA, the Whitney and the Warhol museums. Her memoir, published by the Feminist Press, is called “Whatever Is Contained Must Be Released: My Jewish Orthodox Girlhood, My Life as a Feminist Artist.” Her blog posts are featured on The Arty Semite courtesy of…
Whatever Is Contained Must Be Released: My Jewish Orthodox Girlhood, My Life as a Feminist Artist By Helène Aylon The Feminist Press, 350 pages, $29.95 Walking through the “Too Jewish?” exhibit at Los Angeles’s Hammer Museum back in 1997, surveying the artistic commentaries on popular tropes of American Jewish culture — big noses, Barbra Streisand,…
Performance and installation artist Helène Aylon scrutinizes the entrenched, sometimes invisible, belief systems that shape society. Since the 1970s, she has used her work as a tool for poetic dissent and constructive revisionism. Aylon’s early work contributed to the women’s movement, opposing the unrealistic imagery pedaled by magazines like Playboy. In the 1980s, her focus…
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