Ira Eduardovna, ‘A Thousand Years’ (video still), 2014. In the Talmudic legend called “Four Entered the Orchard,” a quartet of wise men who explore Jewish mysticism meet severe ends: One dies, one loses his mind, and one forsakes Jewish tenets altogether. Only one leaves intact. Here’s hoping that the artists in “Pardes,” a new exhibition…
Standing naked on a Tel Aviv beach, Sigalit Landau spins a hula-hoop around her waist. But instead of plastic, the hoop is made of barbed wire — and lacerates Landau’s belly throughout the minute-long performance. The mesmerizing video piece, “Barbed Hula” (2000), is one of six video works in a new retrospective of Landau’s work…
When the Koffler Centre of the Arts lost its North Toronto home five years ago, it made a virtue of necessity. Rather than replace its gallery space at the Bathurst Jewish Community Centre — which closed to make room for a huge new complex — the Koffler launched an ambitious off-site program that took its…
Unless you live in Toronto, it’s difficult to grasp the cultural, commercial, and Jewish significance of Honest Ed’s. Opened in 1948 by Ed Mirvish — the American-born son of Lithuanian immigrants — the 160,000-square-foot discount emporium has become a kind of landmark for its casino-like exterior, mind-numbing array of goods, and retail showmanship epitomized by…
While it’s long maintained headquarters in Toronto’s heavily Jewish northern reaches, the Koffler Centre of the Arts has never had a permanent home downtown, where much of its edgy programming originates. As a result, the Koffler made a virtue of necessity, building a brand around acclaimed off-site exhibitions that showcased its content at urban venues…
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