At The Met, A Kleptomaniac To Dye For
Competing versions of the same story can draw one’s attention to the moments of divergence, like to a distinguishing mark or tic. In this way, it seems notable that the eponymous protagonist of Nico Muhly’s new opera “Marnie,” adapted from the 1961 Winston Graham novel that also inspired Alfred Hitchcock’s 1964 film of the same…
