In his 1978 Nobel Prize acceptance speech, Isaac Bashevis Singer said: “Yiddish may be a dying language, but it is the only language I know well. Yiddish is my mother language and a mother is never really dead.”
Ans so what better musical expression for an ever-dying language than death metal? Enter Gevolt, a six-member Russian-Israeli metal group that sings in Yiddish. The band’s music is not a pasquinade, but rather a nuanced embrace of both serious Yiddish lyrics and serious metal traditions. Gevolt’s rendition of the traditional “Tum Balalaika,” casts clean, articulate vocals against a chilling background of liquid metal that closely resembles the German Neue Deutsche Harte (New German hardness) movement.
Gevolt’s affinity for this style of music is, on one level, shocking. Rammstein, the NDH scene’s best-known band, has courted controversy by toying with fascist imagery (such as using excerpts from a Leni Riefenstahl film during one of its videos). But it is the dichotomy between the militaristic NDH sounds and the sincere intonations of “Tum Balalaika” that elevates Gevolt’s music above a cheap novelty act (metal and Yiddish!) and makes it a musical phenomenon that merits attention. They are singing Yiddish even as they defiantly borrow from a musical style that occasionally evokes the very movement that destroyed Yiddish culture in Europe.
But Gevolt’s music is not auto-annihilation rock. Rather, it is a resurrection. Their composition of Hirsch Glick’s famed partisan song “Zog Nit Keyn Mol, Az Du Geyst Dem Letsten Veg” (“Never say that you are on the final road”) is stunning in both its lyrical beauty (Glick’s contribution) and its musical defiance (singer Anatholy Bonder’s contribution). When the metal disappears momentarily and band member Marina Klionsky’s klezmer-inflected violin plays softly, one begins to reconsider Singer’s statement. Even as those for whom Yiddish was literally a mother tongue pass away, the mameloshn remains a language of cultural power and resonance. Gevolt aren’t singing nostalgia tunes — they’ve done nothing less than shaken Yiddish back to life.
Listen to “Tum Balalaika,” “Zog Nit Keyn Mol” and other Gevolt songs on the band’s MySpace page.
Mordechai Shinefield has written about music for Rolling Stone, The Village Voice and the New York Press.
For more Melody Macher columns, click here.
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Eh, what exactly does "gevolt" mean? It could be the past perfect from the word "viln"(to want) or it could be a distorted form of the word "gevalt"(violence). So what is it?
with all due respect, I'm really glad Mr. Shinefeld is making use of my website, www.metalisrael.com because getting the word out about Israeli metal bands is its purpose. however, Gevolt is far, far from being death metal and is actually another genre completely. myspace.com/thefadingmetal is death metal, this is more industrial. it looks cute in a headline but that's not what it is in any case, again, I'm glad the site was utilized but it would help out the Israeli scene a lot if a link was provided within the article. thanks and gmar tov
The music sounds really fabulous! I'll remember the name of Gevolt from now on. And since I found this article through your mention of Rammstein, I feel compelled to correct the mistake there. ;-) Rammstein has not shown excerpts of Riefenstahl films during their shows, but used Riefenstahl's "Olympiad" for their music video to Depeche Mode song "Stripped". Tim O'Neil once wrote about the video that Rammstein "offset their deadpan cover of the track with excerpts of Leni Riefenstahl's infamous Olympiad (a documentary on the 1936 Olympic summer games designed to glorify the Nazi regime). Of course, if you know the lyrics to "Stripped" you can probably see how it was appropriate -- if brutal -- imagery. Rammstein were taking shameful images from their own national identity and using them to reinforce the song's passionately anti-capitalistic message." Of course there were other reasons - as stated by Rammstein - for using the film, but none of them had to do with promoting fascism. Some of them though were directed to a number of reporters and journalists, who liked nothing more than seeing Rammstein in a fascist light. NDH does not in any way enforce fascistic ideas or attitudes, so it not really that surprising that Gevolt would feel an affinity for this style of music. So best of luck to Gevolt! The songs sound great.