On my laptop I have a scan of a photo of my grandfather that always makes me smile. It’s not just the snap-brim fedora and my grandfather’s relatively unlined face; it’s also the car behind him, a giant, four-door, butterscotch-colored Buick that he bought for cash in the early 1970s.
I have a host of memories tied up with that Buick, one being the annual drive, from camp to his bungalow in the Catskills, where, for the tail end of the summer, I heard a lot of Yiddish while my grandmother stuffed me with chicken.
The point here is the ways in which family archives can intersect with larger moments of history — in my case, with the Jewish Catskills and the glorious, gas-guzzling V8s of the ’60s and ’70s.
Such archives, however casual, can be particularly poignant for Jews, given our history. It’s always sad to look at photos of my grandfather’s siblings and remember how this one perished in Belzec, that one fled to Brazil.
This interplay between family memories and Jewish history is the subject of “Jewish Homegrown History: Immigration, Identity and Intermarriage,” a new exhibition at Los Angeles’s ever-vibrant Skirball Cultural Center. More specifically, “Jewish Homegrown History” explores how home movies can illuminate the story of California Jewry — a community tied closer than most to the project of film.
“Jewish Homegrown History” is the brainchild of The Labyrinth Project, a hybrid art collective and digital research group based at the University of Southern California. The Labyrinth Project specializes in “interactive narrative,” or telling stories via interactive media. Thus the first part of the exhibit is a kind of theater for viewing home movies re-edited by the Labyrinth Project. There’s a touchpad on a pedestal and then rows of benches before three movie screens. With the touchpad, viewers can choose from one of 10 movies on a range of subjects, from a glamorous 1957 wedding to Jewish Hollywood.
One of my favorites was “Murrieta Hot Springs: The Catskills of the West,” a brief documentary about a resort that flourished for much of the 20th century, when many similar places were closed to Jews. Combining home movies, archival photos and interviews, the film is a charming introduction to a little-known (at least among East Coast Jews) bit of American Jewish history.
“Moroccan Memories: Marriage and Emigration” is a more complicated story. It begins with home movies of the 1967 Beverly Hills wedding of Fiby Bouganim, a Moroccan-Jewish emigrant, to Sumner Saul, an Ashkenazi dentist. Then we see clips of the elegant couple, shot during their visits to Morocco in the ’70s. Interviews with Bouganim reveal an ambivalence about America, despite the difficulties that her family faced in her birth city of Mogadir: “My dreams,” she says, “have always taken place in my hometown.”