Sidney Eisenshtat, 90, Leading Synagogue Architect

By Samuel D. Gruber

Published April 01, 2005, issue of April 01, 2005.
  • Print
  • Share Share

Sidney Eisenshtat, one of America’s leading synagogue architects, died March 1 in Los Angeles. He was 90 years old.

Eisenshtat was a prolific architect in Southern California, and an influential architect of modern synagogues. He graduated from the University of Southern California ‘s School of Architecture in 1935 and maintained his architectural practice in Los Angeles for the rest of the 20th century.

Eisenshtat was an observant Jew who was past president of Congregation Beth Jacob in Beverly Hills, which he attended daily. He and his wife Alice, who predeceased him, were active participants in Jewish communal affairs.

Though Orthodox, Eisenshtat designed several noteworthy Reform and Conservative synagogues, as well as Detroit’s Orthodox B’nai David. His synagogue work is often grouped with that of his famous non-Jewish contemporaries, Frank Lloyd Wright, Minoru Yamasaki and Philip Johnson, who all designed important synagogues in the 1950s and ’60s. However, none of them professed any knowledge of or personal affinity with Judaism. For Eisenshtat, his synagogues were among his most personal creations, and in his mind they were in perfect keeping with Jewish traditions and values.

Eisenshtat established an international reputation based on the expressive design of several synagogues built between the 1950s and 1970s. He designed his first major religious structure, Temple Emanuel in Beverly Hills, in 1951, in the first flush of a national reinvention of traditional synagogue design. Eight years later, he designed Sinai Temple in Los Angeles. In the early 1960s he designed the Reform Temple Mount Sinai in El Paso, Texas, where he was commissioned to create a space that was both functional and expressive. He achieved this by integrating simple dramatic forms into a harsh but beautiful desert landscape. The El Paso synagogue and later the House of the Book, a chapel and conference hall at the Brandeis-Bardin Institute, located in Simi Valley, were integrated into striking arid landscapes, in which they are set like large sculptural works.

Influenced by the work of Eric Mendelsohn, Eisenshtat became an expert in the use of the thin shell concrete for shaping space into expressive, often soaring forms. Like Mendelsohn, he created synagogues with white walls almost devoid of decoration, but that were highly expressive through the use of simple materials and abundant natural light. He did lavish some attention on the synagogue’s focal points — especially the Ark and windows. In El Paso, he designed the Ark as a giant open-frame tripod, set within the lofty concrete-shell tent-like sanctuary. Inside is an abstract bronze cabinet for the Torah scrolls; a bronze Eternal Light hangs above it. In other synagogues he included stained glass, mosaic, and sculpture, but these were always subservient to the overall architectural design. He favored large, airy rooms, though he could create moody interiors by carefully channeling light for dramatic effect. He has been described as an expressionist and as a minimalist.

In addition to synagogues, Eisenshtat designed several centers for the study of Jewish life, including the Hillel House at his alma mater, University of Southern California. He also designed the master plan for the University of Judaism in Bel-Air (1977). Perhaps in a nod to the more secular world of Hollywood Jews, Eisenshtat designed the Friars Club in Beverly Hills (1961), frequented by many of the great Jewish comedians of the era.

The rise of post-Modernism in the 1980s and Deconstructionism in the 1990s made some of Eisenshtat’s work appear outdated, particularly among younger architects who seemed afraid of employing bold architectural gestures and large abstract forms. But the recent popularity of architects as diverse as Frank Gehry and Santiago Calatrava make much of Eisenshtat’s best work surprisingly fresh and relevant again. These “new expressionists” are more flamboyant and more indebted to technology, but they share with Eisenshtat a belief in the value of robust design.

Born in New Haven, Conn., in 1914, Eisenshtat settled in Los Angeles in 1926. He married Alice Brenner in 1937. Surviving him are his daughters Carole Oken and Abby Robyn; his sister Pauline Roberts; five grandchildren, and six great-grandchildren.






Find us on Facebook!
  • A grumpy Jewish grandfather is wary of his granddaughter's celebrating Easter with the in-laws. But the Seesaw says it might just make her appreciate Judaism more. What do you think?
  • “Twist and Shout.” “Under the Boardwalk.” “Brown-Eyed Girl.” What do these great songs have in common? A forgotten Jewish songwriter. We tracked him down.
  • What can we learn from tragedies like the rampage in suburban Kansas City? For one thing, we must keep our eyes on the real threats that we as Jews face.
  • When is a legume not necessarily a legume? Philologos has the answer.
  • "Sometime in my childhood, I realized that the Exodus wasn’t as remote or as faceless as I thought it was, because I knew a former slave. His name was Hersh Nemes, and he was my grandfather." Share this moving Passover essay!
  • Getting ready for Seder? Chag Sameach! http://jd.fo/q3LO2
  • "We are not so far removed from the tragedies of the past, and as Jews sit down to the Seder meal, this event is a teachable moment of how the hatred of Jews-as-Other is still alive and well. It is not realistic to be complacent."
  • Aperitif Cocktail, Tequila Shot, Tom Collins or Vodka Soda — Which son do you relate to?
  • Elvis craved bacon on tour. Michael Jackson craved matzo ball soup. We've got the recipe.
  • This is the face of hatred.
  • What could be wrong with a bunch of guys kicking back with a steak and a couple of beers and talking about the Seder? Try everything. #ManSeder
  • BREAKING: Smirking killer singled out Jews for death in suburban Kansas City rampage. 3 die in bloody rampage at JCC and retirement home.
  • Real exodus? For Mimi Minsky, it's screaming kids and demanding hubby on way down to Miami, not matzo in the desert.
  • The real heroines of Passover prep aren't even Jewish. But the holiday couldn't happen without them.
  • Is Handel’s ‘Messiah’ an anti-Semitic screed?
  • from-cache

Would you like to receive updates about new stories?




















We will not share your e-mail address or other personal information.

Already subscribed? Manage your subscription.