Courtesy of the Toronto Jewish Film Festival
Talk about baring all for your art. German-Jewish director Dani Levy does Woody Allen one better in “Life Is Too Long,” which made its North American premiere at the Toronto Jewish Film Festival in May. A dyspeptic “Stardust Memories,” “Life Is Too Long” both exposes Levy’s fragile psyche and skewers family and friends with gleeful abandon. But Levy goes even further, literally revealing himself in a dream-sequence pickle shot that raises the stakes for self-disclosure.
With the production of a new film as the story’s binding thread, Levy takes us through several breakdowns — his marriage, his nerves, his work — via alter ego Alfi Seliger, played by the director himself. A has-been director whose film “Your Blue Miracle” was the hit of 1995, Seliger’s now flogging a disastrous-sounding screenplay — inspired by the Danish cartoon controversy — called “Moha-ha-med.” Colleagues dismiss him, his kids ignore him, and his voiceover-artist wife’s cheating on him with her boss; even worse, his bank’s tanking and he may have a fatal illness. Major Existential Crisis ensues.
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