Author Blog: Autumn in His Heart
Earlier this week, Adam Wilson wrote about Seinfeld, Moses, and hubris. His blog posts are being featured this week on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
Author Blog: Moses and Hubris
Adam Wilson’s debut novel, “Flatscreen,” is now available. His blog posts are being featured this week on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
Bring Hot Israelis to America
Picture yourself on a Tel Aviv beach: A parade of tanned, toned Israelis marching past like some alternative half-nude army, flashing butt cheeks in string bikinis as you revel in a paradise of sand, surf and Semitic good looks.
Under the Influence
Who were the first Jewish potheads? The Old Testament seems filled with early precursors: Daniel, the interpreter of colorful dreams; Ezekiel, with his visions of flying chariots; perhaps even David, whose tunes of ethereal majesty were conceivably inspired by some seriously bitter herbs. Other scholars might go back to Genesis — Adam and Eve in that ripe, green pleasure-palace, hungry enough to eat forbidden apples. And then there’s slightly more recent history: Allen Ginsberg extolled the virtues of marijuana in pulsing, desperate verse, and Leonard Michaels wrote short stories about Jews on New York City’s Lower East Side getting stoned with sweet-smiling shiksas and then devouring leftover kugel sent over by their own mothers.
Bad Girls: Burlesque Show Puts Jewish Women in the Spotlight
Jewish burlesque seems, in a way, only natural. Sex and humor are inextricably bound in Jewish culture (or at least in certain precincts of it); potty-mouthed, voluptuous women are celebrated. The burlesque tradition took root in the Yiddish theater nearly a century ago when Jewish thespians, not content to be restrained by a single medium, decided that their plays would include a bit of everything: song and dance, sentimentality and comedy, romance and raunchiness. This is precisely the logic employed by the burlesque troupe Nice Jewish Girls Gone Bad, which performed a three-week run this month at The Zipper Factory, a funky off-Broadway theater in New York City’s Hell’s Kitchen.
‘The O.C.’ Mystique
Here’s a confession: I grew up in deep East Coast suburbia, with a song in my heart and a synagogue on every corner. As expected, I furthered my education at a local, semi-prestigious private university with a bunch of wannabe dentists who were bitter about not getting into Harvard. As an aspiring writer with a Raymond Carver obsession, these were not the humble beginnings for which I longed — beginnings that would inevitably lead to a romantic life of manual labor, alcoholism, domestic violence and transcendent minimalist prose. So after college, I decided to shed my suburban skin and move to Texas to be isolated and poor.
