Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Make a Passover gift and support Jewish journalism. DONATE NOW
Culture

Michael Chabon, Ayelet Waldman To Bring ‘Yiddish Policemen’s Union’ To TV

Proving they’re more than just a literary dream couple, Ayelet Waldman and Michael Chabon are in the thick of a new endeavor: Overseeing a TV show.

The duo has collaborated on TV projects before, starting with a 2011 project titled “Hobgoblin” that remains unmade. But their latest project is different, because it’s an adaptation of one of their novels;they’re giving Chabon’s 2007 novel “The Yiddish Policeman’s Union” the televisual treatment. Deadline reports that a spec script by Waldman and Chabon is being shopped around by CBS TV Studios, Nina Tassler and Denise DiNovi’s PatMa Productions and Keshet Studio. The announcement comes along at a time when the pair is also in pre-production for their original series “Unbelievable” with Netflix.

“TV is a collaborative medium, so it really lends itself to partnerships,” Waldman told the Forward. “It’s just a joy, we love it. We have a system that makes both of us really happy.”

With the popularity of literary alternate timeline streaming shows like “The Man in the High Castle” and “9/22/63,” “The Yiddish Policeman’s Union” fits right into the modern premium cable landscape. The book imagines a world where the Jewish refugees of Hitler’s Germany made a state for themselves in Alaska when mandatory Palestine didn’t quite pan out. (The residents of Jewish Alaska are cheekily referred to as the “Frozen Chosen.”) Seizing on Chabon’s lifelong obsession with detective fiction and Sherlock Holmes, the novel, set in present day, follows alcoholic Detective Meyer Landsman, who becomes enmeshed in a web of interfaith intrigue when he tries to solve a murder.

Unlike Chabon and Waldman, who are by all accounts blissfully married and set to Executive Produce on the project, the divorced Landsman is distressed to see his ex-wife Bina rise above him in rank. But when it comes to writing literary mysteries, Waldman and Chabon are peers; in addition to her other works, Waldman is the author of a series of detective novels collectively known as the “Mommy-Track Mysteries.”

Chabon originally sold the film rights for “The Yiddish Policeman’s Union,” then titled “Hatzeplatz,” based on a three-page proposal written before he completed the novel. After its publication, the mystery was in development for a feature film with the Coen Brothers attached to direct and write the screenplay. Alas, the project never got traction and by 2012 the rights reverted back to the author.

“The first season is going to track the book very, very closely,” Waldman said; additional seasons will have independent plot lines, functioning as sequels.

Will the series be at least partially in Yiddish, the lingua franca of the Sitka, Alaska of the novel? Waldman said that while she and Chabon wrote the pilot in English, a definite decision on the show’s language has yet to be made. “Even if it is in English we’ll be creating of the show,” she said, “a vernacular of the show, lots of Yiddish words.”

But, she said, there’s one element of the Sitka that Chabon imagined that she wouldn’t allow to be changed.

“There will be no compromise on the gang of Haredi criminals,” she said. “That has to be in the show.”

This is a moment of great uncertainty. Here’s what you can do about it.

This is a moment of great uncertainty for the news media, for the Jewish people, and for our sacred democracy. It is a time of confusion and declining trust in public institutions. An era in which we need humans to report facts, conduct investigations that hold power to account, tell stories that matter and share honest discourse on all that divides us.

With no paywall or subscriptions, the Forward is entirely supported by readers like you. Every dollar you give this Passover is invested in the future of the Forward — and telling the American Jewish story fully and fairly.

The Forward doesn’t rely on funding from institutions like governments or your local Jewish federation. There are thousands of readers like you who give us $18 or $36 or $100 each month or year.

Support our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines.
You must comply with the following:

  • Credit the Forward
  • Retain our pixel
  • Preserve our canonical link in Google search
  • Add a noindex tag in Google search

See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.