How J.J. Tiziou Is Taking Over the National Museum
Image by Dan Friedman
By Dan Friedman June 25, 2016
I nearly stepped on the tall, bearded man laying out pairs of big red headshots on the floor of a hallway in the offices of the National Museum of American Jewish History in Philadelphia.
It was J.J. Tiziou — who you might know best from the massive photographic installation of “How Philly Moves” between the parking structures at Philadelphia International Airport, but who, since March, has been the OPEN for Interpretation artist-in-residence at the museum.
A Mounting Sense of Community: J.J. Tiziou hangs his photographs of staff and volunteers. Image by dan friedman
He was mounting a whole batch of staff photos to the wall as an adjunct to the proper installation of Faces of Migration, an exhibit that he’d put together downstairs and that had opened a couple of days earlier on June 21.
As part of his residency he was concentrating on aspects of “community” and this one had involved taking around 7000 photos of around 400 people. His subjects were staff and volunteers at local institutions dealing mainly with populations that were first, second or third generation immigrants.
He had, as he put it: “Taken the pictures so he might as well print them. Got the prints so he might as well hang them.” The photographs for the exhibition were 7”x5” prints, uncaptioned, mounted in a grid eight photos high and 44 long (that’s 352 images) to demonstrate, perhaps, that one of the signs of migration perhaps was a diverse and lively group of Philadelphians.
The staff, volunteers and docent photos in the office hallway were printed out on a larger 18”x12” format and brought together a community of people on the wall who, because of their different relationship to the museum might never or only rarely come together in person.
Labor: This photograph throws the NMAJH wall display on the Triangle Shirt Waist Fire into new relief. Image by J.J. Tiziou
As one of his projects, Tiziou has made a number of interventions in the core exhibitions, placing his photographs in mind-opening places. One, a photo of a protesting tomato picker with Coalition of Immokalee Workers on the lawn of a white house in Montgomery, Alabama, is placed in the part of the core exhibit that deals with labor and, specifically, the Triangle Shirt Waist Factory tragedy to throw a contemporary light on a historical immigrant labor scandal.
Tiziou isn’t Jewish and he has turned that into an asset, talking to staff and visitors without making them feel judged. Of course many of the staff are not Jewish either, and he brings that out in the installation which with he has transformed the external Market Street wall of the museum.
An Invitation To Enter: J.J. Tiziou has opened up the external wall to display. Image by dan friedman
“A Confession and An Invitation” juxtaposes Tiziou’s large scale two page handwritten introduction to the museum with two rows of large scale 18”x12” photographs of the staff accompanied by their “confessions.” These are quite tame and quite charming, “I’m not Jewish,” “I’m British and quite humorous,” and “I was brought up in Brazil and I still sometimes dream in Portuguese.” Most tellingly, though, in his letter he quotes Kristen who runs the museum store, “You go to an aquarium to learn about fish, you don’t only go to an aquarium if you are a fish.”
Well, quite! So whether you are a fish or not, Tiziou’s work will be floating around NMAJH all summer.
NMAJH is situated at 101 S Independence Mall E, Philadelphia, PA, and is open from 10am to 5pm Tuesday to Sunday.
I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning journalism this Passover.
In this age of misinformation, our work is needed like never before. We report on the news that matters most to American Jews, driven by truth, not ideology.
At a time when newsrooms are closing or cutting back, the Forward has removed its paywall. That means for the first time in our 126-year history, Forward journalism is free to everyone, everywhere. With an ongoing war, rising antisemitism, and a flood of disinformation that may affect the upcoming election, we believe that free and open access to Jewish journalism is imperative.
Readers like you make it all possible. Right now, we’re in the middle of our Passover Pledge Drive and we still need 300 people to step up and make a gift to sustain our trustworthy, independent journalism.
Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly.
— Rachel Fishman Feddersen, Publisher and CEO
Join our mission to tell the Jewish story fully and fairly.
Only 300 more gifts needed by April 30
