ewish artists help us repair the world — but they’re being vastly more than any group in the cultural nonprofit sector.
What’s an unkosher animal like that doing in a book like this?
Mad Magazine helped make American humor Jewish — and Al Jaffee played a big role in making that happen.
Documentary photographer Arthur Rothstein traveled on country roads. He kept an ax in his car to chop trees that got in his way.
Dora Kallmus began photographing celebrities. After World War II, she changed her focus.
The myth was created in part by an artist from Manhattan’s Lower East Side.
In “Rendering Witness” at the Museum of Heritage, we see the work of artists who drew to save themselves.
Created 100 years ago, Paul Klee’s “Angelus Novus” was Walter Benjamin’s prize possession. But where he saw an “Angel of History,” others saw Hitler.
Rachel Feinstein’s art focuses on limbo points as shame, abjection and decay mingle with recovery, fertility and wisdom.
In the era of Trump, the reemergence of the work of Käthe Kollwitz could hardly be more timely.
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