For Christmas, the story of the Jewish-born Christian missionary who translated the New Testament to Yiddish
New Yiddish Rep’s ‘Gospel According to Chaim’ gracefully grapples with a taboo subject
With ‘Our Class,’ virtual theater innovator Igor Golyak takes on the raw topic of antisemitism
New Yiddish Rep’s ‘Gospel According to Chaim’ gracefully grapples with a taboo subject
Francis Benhamou heads to Broadway with Joshua Harmon's 'Prayer for the French Republic'
The Folksbiene’s ‘Amid Falling Walls’ is a grand showcase that’s often hard to follow
'Harmony,' Barry Manilow's musical about the Comedian Harmonists, is a sometimes-labored labor of love
The Folksbiene's ‘Amid Falling Walls’ highlights three generations of one family’s work in Yiddish music
In Leslie Epstein’s ‘King of the Jews,’ a fine ensemble and immersive atmosphere save a problematic play
For 100 years, 'The Dybbuk' has had the demonic power of mesmerizing and galvanizing audiences
Paula Kamen’s ‘Jane: Abortion and the Underground’ looks prescient in the post-Roe v. Wade era
With 'Paper Cut,' Israeli artist Yael Rasooly has found a way to heal herself — and her audiences
Bruce Vilanch is 1 of 3 writers on 'Here You Come Again'
אַמאָל זענען די פּייטנים, מיסטישע דיכטער־וויזיאָנערן, געווען אויבן־אָן בײַ די פֿראַנצויזישע און דײַטשישע ייִדן.
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