Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Fast Forward

What HuffPo Meant With ‘Goy, Bye!’ Headline On Bannon — And Why Twitter Hated It

Huffington Post hailed the departure of Stephen Bannon from Trump’s White House with a provocative homepage headline of “Goy, Bye!” — and not everyone thought it was a great choice of words.

The headline is a mash-up of several viral internet memes.

It references “boy, bye” a dismissive line from the Beyonce song “Sorry” (delivered with two middle fingers up in her music video) that launched hundreds of memes.

“Goy,” of course, is a Hebrew word which literally means “nation” but has taken on a pejorative connotation to refer to non-Jews. Perhaps less widely known is the fact that the online provocateurs of the “alt-right” have taken up the word as their own — imagining shadowy Jewish forces who manipulate the “good goy” to do their bidding.

To the headline writers at HuffPo, it may have seemed like an edgy way to herald the fall of Trump’s “economic nationalist” Bannon, who once described his website Breitbart as the “platform of the alt-right.”

But it sparked instant debate.

Atlantic writer Adam Serwer wrote that it was going to “stir up a few” of the “alt-right,” tweeting an image of a frog’s head in reference to Pepe the Frog, the anti-Semitic icon of the movement.

But others thought it was offensive and played into age-old anti-Semitic tropes about Jewish control.

“I love your work, but wish you hadn’t gone with this headline,” journalist Julia Ioffe wrote.

“Yes, this is disgusting, on so many levels,” Joel Berkowitz, founder of the Digital Yiddish Theatre Project responded on Twitter.

The Anti-Defamation League even weighed in. “Not sure your intent, but strikes me as poor taste at best, very offensive at worst,” ADL head Jonathan Greenblatt wrote in a tweet.

The headline was removed, replaced instead with the (also provocative) “White Flight.” Lydia Polgreen, HuffPo’s editor in chief tweeted an an explanation.

“HuffPost splash headlines have always been edgy and playful,” she wrote. “Today’s splash was intended to be a mashup tribute to Yiddish and Beyoncé. Any other interpretation was completely unintended.”

Email Sam Kestenbaum at kestenbaum@forward.com and follow him on Twitter at @skestenbaum

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

We’ve set a goal to raise $260,000 by December 31. That’s an ambitious goal, but one that will give us the resources we need to invest in the high quality news, opinion, analysis and cultural coverage that isn’t available anywhere else.

If you feel inspired to make an impact, now is the time to give something back. Join us as a member at your most generous level.

—  Rachel Fishman Feddersen, Publisher and CEO

With your support, we’ll be ready for whatever 2025 brings.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at editorial@forward.com, subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.

Exit mobile version