Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Fast Forward

Netflix releases photos of Bradley Cooper wearing prosthetic nose to portray Leonard Bernstein, reigniting Jewish representation debate

Cooper’s Bernstein biopic is adding fuel to the “Jewface” debate fire.

(JTA) — As Netflix released the first stills from the set of “Maestro,” Bradley Cooper’s upcoming biopic film about Leonard Bernstein, there was one thing most fans could agree about.

Cooper looked utterly unrecognizable, especially in one image as an elderly version of the iconic Jewish conductor.

But as legions of angry social media users pointed out on Monday, part of Cooper’s transformation involved a prosthetic nose, something that many found to be antisemitic — especially since Cooper is not Jewish.

“There’s no reason to believe that the decision to wear a fake nose is a deliberately antisemitic act,” wrote James Hirsh, a co-host of the Menschwarmers podcast about Jewish athletes, in the Canadian Jewish News. “Cooper is presumably interested in exploring the life of a great composer whom he admires. A number of Jews are involved in the production. And the prosthesis arguably helps with the resemblance.

“But this is Cooper’s third time portraying a historical figure on screen,” Hirsh added. “No prosthetics were used to play American Sniper’s Chris Kyle or Licorice Pizza’s Jon Peters. He didn’t use them to play the Elephant Man on Broadway.”

Hirsh was far from alone in calling out the prosthetic.

Even though actors frequently adapt their bodies while playing historical figures, conversations about how many non-Jews play Jewish characters in Hollywood — and on what scale that should be allowed — have circulated for years.

But the “Jewface” debate received a boost last year, especially after non-Jewish actress Kathryn Hahn was cast as the outspokenly Jewish comedy pioneer Joan Rivers (in a series that was eventually dropped). Comedian Sarah Silverman made headlines by berating the casting, saying “Right now, representation f***ing matters” on an episode of her podcast.

The Bernstein biopic discourse has been particularly charged since 2018, when Cooper and Steven Spielberg — who was first slated to direct “Maestro,” before it became Cooper’s directorial follow-up to his 2016 hit remake of “A Star Is Born” — beat out the actor-director team of Jake Gyllenhaal and Cary Fukunaga in securing the music rights from Bernstein’s estate.

In talking about the Bernstein sweepstakes in an interview last year, Gyllenhaal — who like Spielberg is Jewish — mentioned Bernstein’s Jewishness in admitting defeat.

“Sticking your neck out, hoping to get to tell the stories you love and that have been in your heart for a very long time is something to be proud of. And that story, that idea of playing one of the most preeminent Jewish artists in America and his struggle with his identity was in my heart for 20 some odd years, but sometimes those things don’t work out,” he told Deadline.

Some fans resurfaced the possibility of a Bernstein played by Gyllenhaal in their swipes at the on-set images of Cooper.

Production on “Maestro,” which co-stars Carey Mulligan as Bernstein’s wife Felicia Montealegre, started this month. The film will likely be released in 2023.

This article originally appeared on JTA.org.

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

Now more than ever, American Jews need independent news they can trust, with reporting driven by truth, not ideology. We serve you, not any ideological agenda.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and the protests on college campuses.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly. 

— Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.