Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

Too Gross for the 21st Century? Jewish American Cartoonist Milt Gross

On February 7, at New York’s Museum of Jewish Heritage, a new publication from New York University Press, “Is Diss A System? A Milt Gross Comic Reader” edited by Ari Y. Kelman, will be presented. Gross (born in 1895) of Russian Jewish ancestry, drew comic strips of wild slapstick energy, following in the violence-for-laughs tradition of “The Katzenjammer Kids.” A self-consciously low comedian, Gross drew racist images of black people and was not all that flattering about Jews either.

Gross’s defiantly insensitive gift for visual anarchy got him jobs in Hollywood writing and directing short films like “Izzy Able the Detective” (1921) and “Jitterbug Follies” (1939; see below). Gross was even reportedly hired by Charlie Chaplin to invent sight gags for the silent film “The Circus.”

#diss

Gross’s best book, “He Done Her Wrong” (1930), recently reprinted by Fantagraphics Books, consists entirely of images, sometimes startlingly vulgar ones.

“Is Diss A System?” avoids this whirling continuity of highly-colored energy and focuses instead on Gross’s use of language in individual black-and-white comic strip panels. Kelman points out that Gross’s comic characters speak with invented accents which, while owing much to Yiddish syntax, do not in fact reproduce the way any living person ever spoke. “Sotch a excitement wot is going on by you in the monnink, Mrs. Feitlebaum,” an average phrase uttered by a Gross character, corresponds to the Yiddish: “aza geruder vos geyt on bay aykh in der fri, Mrs. Feitlebaum.” Yet Gross’s characters never mix Yiddish with their English, or refer to Jewish culture or religious matters. In short, Jewish people are in no way accurately portrayed by Gross. While this is worth underlining, Kelman’s preface is elsewhere marred by errors, attributing D. W. Griffith’s “Birth of a Nation” to Cecil B. DeMille, spelling Eddie Cantor’s first name “Eddy,” and repeatedly spelling Al Hirschfeld’s last name “Herschfield.”

Gross’s texts seem painfully unreadable, like the once-popular writings in dialect by now-dusty humorists like Finley Peter Dunne. Dated language aside, Gross’s amazing gift for [action][3] and taste for puncturing pretensions are what keeps his artistry fresh, and these will continue to win him new fans.

Watch Milt Gross’s 1939 cartoon film ‘Jitterbug Follies’:

A message from our Publisher & CEO Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

We’ve set a goal to raise $260,000 by December 31. That’s an ambitious goal, but one that will give us the resources we need to invest in the high quality news, opinion, analysis and cultural coverage that isn’t available anywhere else.

If you feel inspired to make an impact, now is the time to give something back. Join us as a member at your most generous level.

—  Rachel Fishman Feddersen, Publisher and CEO

With your support, we’ll be ready for whatever 2025 brings.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.