Books Briefing: A mysterious postcard illuminates a French family’s Holocaust history
Plus doppelgänger stories, new Jewish romance and a reboot of a Yiddish classic in this month's books newsletter
Plus doppelgänger stories, new Jewish romance and a reboot of a Yiddish classic in this month's books newsletter
Murder, sex, dystopia and madness earned spots on the diverse longlist for the 2019 Booker Prize. The annual award, which honors the year’s best English-language novel published in the United Kingdom or Ireland, announced the 13 authors in the running on July 24. British author and playwright Deborah Levy is nominated for her book “The…
Last week, the New York Times named its “100 Notable Books of 2016.” Included in their number were many reviewed by the Forward. Those included Jonathan Safran Foer’s “Here I Am,” Michael Chabon’s “Moonglow,” Affinity Konar’s “Mischling,” Boris Fishman’s “Don’t Let My Baby Do Rodeo,” Deborah Levy’s “Hot Milk,” Adam Kirsch’s “The People and the…
The shortlist for the 2016 Man Booker Prize includes Jewish novelist Deborah Levy’s “Hot Milk” and Paul Beatty’s “The Sellout,” a novel that prompted the Forward’s Adam Langer to wonder whether its author might be the new Philip Roth. The other titles to make the shortlist, drawn from the longlist released in July, are Graeme…
One of the unexpected pleasures of recent years has been the second coming of the South African-born British novelist and playwright Deborah Levy, born in 1959. When her agents distributed “Swimming Home” — a psychological novel set in the French Riviera with engaged, intelligent women at its heart — for consideration at the end of…
An Amorous Discourse in the Suburbs of Hell By Deborah Levy And Other Stories, 96 pages Whether writing with barely suppressed rage or achieving a brisk comic pace, the writing of Deborah Levy rarely lets the reader grow complacent. Her earliest novels, “Beautiful Mutants” and “Swallowing Geography,” channeled Thatcher-era fury through surrealistic modes and landscapes….
Things I Don’t Want to Know: A Response to George Orwell’s Why I Write By Deborah Levy Notting Hill Editions In his 1946 essay “Why I Write,” George Orwell identified four great motives for writing, including aesthetic enthusiasm, historical impulse and political purpose. The other, he observed, was that writers are “vain and self-centred,” motivated…
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