Comedy, explained Aristotle, has a vague history, because at first no one took it seriously. We cannot know for certain if Aristotle was deadpanning, but his observation would amuse Saul Austerlitz. According to Austerlitz, American film comedy has not been taken seriously, either. In fact, the author quips, it is American film’s “bastard stepchild.” With…
It’s hard to beat Yiddish Princess’s own self-description (as per their MySpace page): “Melodramatic Popular Song” “Kick Ass Yiddish Power Ballads” “Influences: Kate Bush, Cyndi Lauper, Madonna, Whitney Houston, Mina Bern, Molly Picon, Pat Benatar, Suki & Ding” “Sounds Like: Celine Dion (if she went to Kheder)” Not all of this is strictly true —…
On March 22, I went to a “Serious Night” party at B’nai Emet synagogue, in St. Louis Park, MN where the bar mitzvah scenes as well as some others in the Coen brothers film “A Serious Man” were filmed. One of the audience members recounted his query to one of the Coen brothers asking why…
Larry Gopnik, the main character in the Coen brothers most recent and most Jewish film, “A Serious Man,” has been widely understood as Job-like figure. But what would Job be without Satan to test him? (Besides having more children and fewer boils, that is.) Enter Sy Ableman, Larry’s beardy nemesis, whose role as self-righteous cuckolder…
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