Just several feet away from where people are immersed in the digital worlds of their laptops, iPhones, and Kindles, Ido Agassi’s hand-designed, individually printed and bound books calmly look on from a display case in the lobby of the Oshman Family JCC in Palo Alto, California. Those who take time to observe Agassi’s “Books as…
“Cookalein” is Yiddish for “a modest bungalow, usually in the Catskills” where mothers would cook for their vacationing families. It’s also the title of one of the more modest but moving works in “Will Eisner’s New York: From the Spirit to the Modern Graphic Novel,” which opened last week at Soho’s Museum of Comic and…
Crossposted from Haaretz Sculptor Oz Malul has created a universe out of computer printers at the Center for Contemporary Art in Tel Aviv. Dismantled, defective or broken printers of various ages move in a kind of repetitive, mechanical dance, in time to the sounds they create. They are also attached to other objects or pieces…
Crossposted from Haaretz The writing was on the wall regarding the urban renewal projects on Jaffa Road in Jerusalem and the old central bus station in Tel Aviv. Urban renewal has become just another word for gentrification, higher prices, uprooting working-class residents and small businesses, widening the gap between rich and poor — all in…
In the world of Jewish museums and art collections, there is no more iconic landscape than Jerusalem. But how many ways can one see the Dome of the Rock, the Old City gates or the shuk at Mahane Yehuda before they become static tropes? With such a heavily charged backdrop, photography of Jerusalem often devolves…
It would be fair to call Jon Axelrod’s paintings synesthetic. They are, after all, visual representations of sound. However, these aren’t the idiosyncratic cross-sense connections of an unfettered mind. His is a willful synesthesia. Axelrod uses science and math to reveal relationships between color, shape and sound. He finds kinship, for example, in the frequency…
A version of this post appeared in Yiddish. The name Mark Epshtein (1899-1949) no longer occupies a prominent place in Yiddish cultural history, but a current exhibit in Kiev brought the artist back to the city where he created his most important work. “The Return of the Master,” which runs until February 20 at the…
Crossposted from Haaretz A cloud of having missed the mark hovers over “Forehead Mesh,” Aaron Adani’s exhibition at the Kibbutz Gallery in Tel Aviv. There are quite a number of beautiful of works in it and interesting treatment of wire mesh (chicken wire, a material often used in art courses ) but it seems as…
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