Earlier this week, Helene Wecker shared a golem-centric reading list and wrote about writing a novel in two cultures and Dorkdom. Enter to win a copy of her debut novel, “The Golem and the Jinni,” here. Her blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s…
Earlier this week, Helene Wecker wrote about writing a novel in two cultures and dorkdom. Enter to win a copy of her debut novel, The Golem and the Jinni, here. Her blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information…
Earlier this week, Helene Wecker wrote about dorkdom and writing while Jewish. Enter to win a copy of her debut novel, The Golem and the Jinni, here. Her blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series,…
Enter to win a copy of Helene Wecker’s debut novel “The Golem and the Jinni” here. Her blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit: When I started looking through the extensive and awe-inspiring…
In the Czechoslovak-American Marionette Theatre’s production of “Golem,” the people are puppets (except for a ghost), and the man of clay is danced by a human being (Steven Ryan). And that’s how it should be, for although he doesn’t speak, Golem is a stand-in for man. He’s a creature who didn’t ask to be born,…
The story of the Golem has been told in literature, film and theater, including a puppet production created in 1997 by the Czechoslovak-American Marionette Theatre. Now that show is back as part of La Mama Experimental Theatre Club’s 50th anniversary season, featuring music by The Klezmatics trumpeter Frank London. Unusually for the company, the show…
It is hard to believe we are only five years from klezmer-punk band Golem’s 2006 debut album, “Fresh Off Boat,” and the first time (most of us) heard Alicia Jo Rabins on a record. Since then we have gotten a follow-up from Golem (2009’s tremendous “Citizen Boris”) and a solo debut from Rabin’s new project,…
When Erez Safar started the Sephardic Music Festival in 2005, he was thinking about the future of Sephardic music. Having spent the last decade watching klezmer explode in popularity among artists like the avant-garde composer John Zorn and the Brooklyn punk band Golem, Safar realized klezmer was moving into a brave new future and was…
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