Looking at Morton Feldman, one hardly would have guessed that this irrepressible, self-described “New York Jew” created some of the most mystical and subtle music ever composed. Yet since his death, in 1987, it has become ever more apparent that his late works are among the most individual, distinctive and influential of the second half…
Holland Cotter takes a look at the Contemporary Jewish Museum’s Gertrude Stein exhibit, reviewed by the Forward’s Joel Schechter here. Alona Frankel’s 1975 classic “Once Upon a Potty” is now an app. Philadelphia is holding an eight-day festival in honor of composer Morton Feldman, whose work has been covered by the Forward’s Raphael Mostel here…
There have been New York premieres of several noteworthy works recently, including major new violin concertos by Harrison Birtwhistle and James McMillan. But easily the most interesting was the grand finale of Lincoln Center’s Tully Scope Festival on March 18: Heiner Goebbels’s “Songs of Wars I Have Seen,” which uses passages from the remarkable book…
Curt Schleier goes to see “Peep World,” where Jews finally attain the dysfunctional status of WASPs. Philologos noses around with exasperation. Michelle Sieff adjudicates Deborah Lipstadt’s arguments with Hannah Arendt in “The Eichmann Trial.” Katherine Clarke looks into Southeastern Europe’s first Holocaust Museum in Skopje, Macedonia. Raphael Mostel celebrates a renewed interest in the strange…
Originally Published in The Forward on February 2, 2001 It takes only a few people to make an era. On February 9 to February 11, Carnegie Hall will present a series of three concerts and several related events celebrating two such people who met by chance. When John Cage met Morton Feldman at a 1950…
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