JEWISH. INDEPENDENT. NONPROFIT.
This is the last part of a four-part article originally appearing in the Spring 2011 issue of Lilith Magazine. Read the first three parts here, here and here. ALLUSIONS TO RAPE Margaritkelekh / Daisies In the woods, by a stream The daisies grow like little suns With white rays. Khavele goes there, quiet and dreamy,…
This is the third part of a four-part article originally appearing in the Spring 2011 issue of Lilith Magazine. Read the first part here and the second part here. Shvigern / Mothers-in-Law When couples married they did not necessarily become autonomous heads of their own households. Many a new bride — often a teenager in an arranged marriage — moved in…
This is the second part of a four-part article originally appearing in the Spring 2011 issue of Lilith Magazine. Read the first part here. FIGHTING BACK Soreles khasene / Sarah’s Wedding When Sorele wed, people laughed and scoffed. Why the laughter? The brand new bride Couldn’t even make kugl for Shabbes. She began on Wednesday morning Finished…
This is the first part of a four-part article originally appearing in the Spring 2011 issue of Lilith Magazine. Picture the stairwell in the poor apartment: the neighbor descends the steps and the woman in the doorway repeats, “Good night, good night,” and then haltingly speaks the words: “He hit me yesterday. I’m black and…
I never learned to speak Yiddish. As a child in the 1950s and ‘60s, it was the language of my grandparents, the language that my parents only spoke when they didn’t want me or my brothers to understand what they were talking about (and I don’t think they spoke it when my childhood friend Michael…
It’s hard to beat Yiddish Princess’s own self-description (as per their MySpace page): “Melodramatic Popular Song” “Kick Ass Yiddish Power Ballads” “Influences: Kate Bush, Cyndi Lauper, Madonna, Whitney Houston, Mina Bern, Molly Picon, Pat Benatar, Suki & Ding” “Sounds Like: Celine Dion (if she went to Kheder)” Not all of this is strictly true —…
