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A Monument to Hatuey in Baracoa, Cuba. Photo by Michal Zalewski.
As you stand in the Dolby Chadwick Gallery in San Francisco, you can’t be sure if the figures in Joshua Meyer’s multi-layered oil paintings are emerging toward you or receding away into a complex sea of colors. That lack of certainty suits the artist just fine, as he considers his paintings to reside in “a netherworld, an in-between place of frictions, edges and reactions between different things.”