For 200 cigarettes and a kilo of coffee, David Rubinger bought his first Leica camera. It was Germany, 1946. Rubinger, a young Viennese refugee serving in England’s Jewish Brigade, got to work immediately, photographing postwar devastation. These were the first shots in a long career of documentary photography.
Chayim surveyed the audience — an audience that included a significant number of ventriloquists who use their art to spread the Gospel. He turned to Allan Blumenstyk and gave him a look that seemed to say, “For this you put me in a suitcase and schlep me across the ocean?”