By Dorri Olds
In his new movie, “Midnight in Paris,” Woody Allen does what he does best. He creates a character out of a city and adds his signature sleight-of-hand. Think “The Purple Rose of Cairo,” when a handsome leading man steps through a screen to romance a depression-era Mia Farrow, or “Zelig,” when the title character appears on the nightly news with the pope and Calvin Coolidge.
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