Image by Courtesy of Aaron Samuels

By Talya Zax October 17, 2015

Aaron Samuels started getting hype as a poet as an undergraduate at Washington University in St. Louis. A co-founder of the school’s popular slam poetry team, WUSLAM, his compelling performances and the depth of his investigation into what it meant to be black and Jewish made him stand out.

He’s continued to make his name on a broader scale since graduating. He’s the Chief Operating Officer of Blavity, a member of the Dark Noise Collective, a group of spoken-word poets, and with a wide swathe of publications in journals and two published collections of poetry, he’s established himself solidly as a working poet.

Many of his poems address the intersection and divergence of those identities, including “Broken Ghazal in the voice of my brother Jacob,” published in “Radius” in February 2013, and “when Moses didn’t come home,” published in “Mandala” in 2012. His second book of poetry, “Yarmulkes and Fitted Caps,” was published as the winner of a contest through Write Bloody Publishing. The contest required the submission of both a manuscript and a video; the poem Samuels chose to perform in the video, “Covered in Grass,” is emblematic of his investigation into his joint identity.

Forwarding the News

Thoughtful, balanced reporting from the Forward and around the web, bringing you updated news and analysis each day.

Terms(Required)

I agree to the Forward's Terms of Service and Privacy Policy

Email(Required)

“I wanted a poem that gave a good indication of where I was at as a writer, but also told my story and gave a good indication of where I was at in terms of processing my own heritage,” he said in a phone conversation. Asked about his process of exploring that heritage, he said “Both of my parents raised me to really take pride in my identity, both of these identities. I had each of them as separate identities, but I didn’t really realize that people could perceive them as in conflict until later in life.”

When I told him that a quick Google search on black Jewish poets hadn’t revealed much he pointed me towards Tova Ricardo, youth poet laureate of Oakland. One of his other favorite black Jewish artists is Lacey Schwartz, whose 2014 documentary “Little White Lie” narrates her journey from being raised as a white Jew to discovering, at eighteen, that her father was in fact African American. He also called my attention to the community of black and Jewish musicians, including, most prominently, Drake.

“I think that it’s important,” he said, speaking about the importance of highlighting art by Jews of color, “to remember that the Jewish people has always been a multiracial people. Part of what makes Jews Jewish is their ability to exist and survive through multiple different cultural and political climates. One of the ways we’ve been able to do that has been through the production of writing and art.”

Talya Zax is the Forward’s Culture Intern

The Forward is free to read, but it isn’t free to produce

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward.

Now more than ever, American Jews need independent news they can trust, with reporting driven by truth, not ideology. We serve you, not any ideological agenda.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse.

Readers like you make it all possible. We’ve started our Passover Fundraising Drive, and we need 1,800 readers like you to step up to support the Forward by April 21. Members of the Forward board are even matching the first 1,000 gifts, up to $70,000.

This is a great time to support independent Jewish journalism, because every dollar goes twice as far.

—  Rachel Fishman Feddersen, Publisher and CEO

2X match on all Passover gifts!

$90 → $180 $180 → $360

$360 → $720

Other amount