In the world of Jewish museums and art collections, there is no more iconic landscape than Jerusalem. But how many ways can one see the Dome of the Rock, the Old City gates or the shuk at Mahane Yehuda before they become static tropes? With such a heavily charged backdrop, photography of Jerusalem often devolves into bland suggestions about what people struggle with and share in the sacred city.
The most welcome achievement of “Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration,” showing until May 8 at the Skirball Cultural Center in Los Angeles, is how directly it takes on these familiar scenes and creates something new with the material. Aron is a photographer who focuses on Jewish communities, while Raphael works with an eclectic range of media, from traditional gold leafing to digital art, both of which he uses here to alter pictures taken over the course of Aron’s career.