Courtesy of Sony Pictures Classics
In his new movie, “Midnight in Paris,” Woody Allen did what he does best. He created a character out of a city and added his signature sleight-of-hand magic. Think “The Purple Rose of Cairo,” when a handsome leading man steps through a screen to romance a depression-era Mia Farrow, or “Zelig,” when the title character appears on the nightly news with the Pope and Calvin Coolidge.
“Midnight in Paris,” which premiered at the Cannes International Film Festival earlier this month and opens in limited release May 20, reverberates with that same abracadabra wish fulfillment. “I always feel that only a magical solution can save us,” Allen said in an interview with L.A. Weekly. “The human predicament is so tragic and so awful that, short of an act of magic, we’re doomed.”
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