Electric energy pulses through the music of Tel Aviv-born pianist and composer Matan Porat. Earlier this year pianist David Greilsammer and the Israeli Chamber Project released recordings of his works, and he will tour North America this month and next spring with Musicians from Marlboro. He will be at the keyboard for György Ligeti’s 1982 Trio for Violin, Horn, and Piano on October 20 in New York, with subsequent dates in Connecticut, Schenectady, Toronto, Washington, DC, Vermont, Boston, and Philadelphia. In May 2013 he will perform in the rapturous Opus 26 Piano Quartet by Johannes Brahms, to whom Ligeti’s trio pays wry tribute.
Only 30, the Berlin-based Porat is formidably accomplished, with a hefty catalogue of compositions and a concert repertoire ranging from Rameau and Bach to contemporary works. He trained at Tel Aviv’s Rubin Academy of Music and at Juilliard, and his teachers have included Emanuel Krasovsky, Maria João Pires and Murray Perahia. The wise-beyond-his-years depth of Porat’s playing astonishes: his Mozart is dewy and brimming with joy, his Schumann fragile but smoldering, and he burns up the keyboard playing his own variations on Astor Piazzola’s Libertango. (You can sample his pianism at his website.)
Porat has toured with Peter Brook’s A Magic Flute and improvised scores for silent films (Alex Ross of The New Yorker called his playing “an astounding feat of creative musicianship”); he is also a member of the Gropius Ensemble and the Tango Factory. The artists from whom Porat has drawn inspiration — including Jorge Luis Borges, Yehuda Amichai, Franz Kafka, and Roy Lichtenstein — bespeak a sophisticated and wide-ranging intellect. Volatile and intense, his compositions brim with life even when they take listeners to dark places. The author of a blog entitled Off the Blocks best captured this aspect of his art. “We could play Whaam! by Matan Porat at a party,” he wrote. “It would have to be a good party, though.”
Matan Porat answered a few questions by email on the eve of his North American tour.