“The Good and the True,” a two-person play that just transferred to New York after runs in the U.K. and Belgium, unexpectedly became a potential nova-making vehicle.
The play originally starred Saul Reichlin as Milos Dobry (Dobry is Czech for “good”) and Isobel Pravda (Russian for “true” — hence the title), who played her grandmother Hana.
However, because of a glitch in a U.S. State Department computer, Isobel was unable to get her visa, and the producers, with limited access to the theater (a new show begins there in mid-September), had no choice but to start without her.
Enter understudy Hannah D. Scott. I was, of course, hoping for a Lou Gehrig or Leonard Bernstein moment, where a last-minute substitute steps in and becomes a star.
Sadly it’s not to be. Both Scott and Reichlin are competent, but are hampered by a script that is surprisingly vanilla.
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