Photo: Nadja Spiegelman
Art Spiegelman — celebrated comics book artist, illustrator and author of the Pulitzer Prize-winning “Maus” — has broken his silence on the subject of Israel. At least that’s how he put it to his Facebook followers last week when he shared a collage he designed for a recent issue of the magazine The Nation.
Prefacing the social media post by saying that he has spent a “lifetime trying to NOT think about Israel,” Spiegelman went on to say that “Israel is like some badly battered child with PTSD who has grown up to batter others.”
Captioned “Perspective in Gaza (The David and Goliath Illusion),” the Biblical-style art image consists of two panels. On the left is a traditional rendering of David facing Goliath. The right-hand panel presents a shrunken Goliath brought closer to the foreground. Using the tricks of size and perspective to make what is surely not an original political point, it’s a clever play on Spiegelman’s life’s work as an illustrator.
At least two important questions arise from this. First, what does it say when The Jewish Museum in New York mounted a Spiegelman retrospective which overlapped with the controversy over Israel critic Judith Butler’s slated talk there on a subject unrelated to Israel? (Butler later pulled out amidst the pressure.) Had Spiegelman spoken up against Israel earlier, might the museum’s donors and critics have applied similar tactics?