In “Birkenau,” there is no resolution, and no message — just layers of deep, frustrated contemplation.
Her grandmother escaped Kiev and her parents left the USSR. That’s how she knew it was time to leave Brooklyn for good.
New York City was the spirit animating Jason Polan’s work.
In “Rendering Witness” at the Museum of Heritage, we see the work of artists who drew to save themselves.
“It’s amazing how much can be learned from these diminutive artifacts.*
No matter how bad of an artist Hitler was, the Nazis understood the importance of design, marketing and branding.
Nancy Spero has to be among the least withholding artists of the twentieth century
Now that the Trump era has begun, Anya Ulinich says we need to start asking ourselves hard questions, like who is profiting from all this misery?
In her graphic essay, Anya Ulinich remembers her childhood trips to Donetsk and reflects on the war’s impact on her family.
From Gaza to Woody Allen, there were fewer and fewer ways to make the world seem OK in 2014. Anya Ulinich asks if this was the year the spin doctors finally lost control.