Simi Horwitz is a feature writer and film reviewer based in New York City. In 2022, she received first place for film criticism from the Society for Feature Journalism, and in 2023, a New York Press Club Award for an Entertainment News feature; and three Los Angeles Press Club Awards, including first place for film criticism — all for pieces published in the Forward.
Simi Horwitz
By Simi Horwitz
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Culture She’s a Believer
Chatting over a light lunch at Joe Allen, a well-known spot for Broadway regulars, the soft-spoken Kirsten Holly Smith bears no resemblance to the brash, swaggering singer Dusty Springfield, Smith’s alter ego in “Forever Dusty,” playing off-Broadway. Smith’s onstage transformation is stunning as she evokes the fierce determination — and underlying vulnerability — of the…
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Culture Eve Ensler’s Jewish Dialogue
Describing Eve Ensler as a relentless enthusiast and dedicated feminist is accurate, yet doesn’t do her justice. Consider this: She is a Tony-winning playwright, performer, author, filmmaker and activist whose leadership on behalf of women has had a worldwide impact — from the Congo to Bosnia to American prisons. Her best-known piece, “The Vagina Monologues,”…
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Culture From Gaza to Guantanamo
The Culture Project’s artistic director Allan Buchman (pronounced Bush-man) draws a distinction between political theater and issue-based theater. “All theater is political as it reflects experiences one has in life, real or imaginary,” he said. “We’re drawn to issue-based theater. We want to advance the issues that are not addressed by corporate media.” Buchman looked…
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Culture Miriam Margolyes Is Dickens of an Actress
When I met Miriam Margolyes at her friend’s cozy apartment on Manhattan’s Upper West Side, she was sporting a bold floral house dress and a shock of wild white hair that seemed at odds with her upper-crust British accent. While she checked emails, she asked if I wanted anything to eat or drink, then admitted…
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Culture Ed Asner’s Still Crusty After All These Years
Ed Asner was seated in a makeshift living room in a large, garishly lit rehearsal studio in the Snapple Theater on West 50th Street that formerly housed a beauty school. He had just emerged from a costume fitting and was eager to discuss “Grace,” Craig Wright’s new play about the misadventures of an innocent young…
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