Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Culture

Harold Prince Produced Broadway Musicals — Now He’s the Subject of One

If you love “West Side Story,” “”Cabaret,” or “Sweeney Todd,” you love Harold Prince: the theatrical producer and director collaborated with Stephen Sondheim on each of those beloved shows.

That’s not enough to convince you? He also produced the original “Fiddler on the Roof,” directed and co-conceived the 1998 dramatization of Leo Frank’s trial and lynching “Parade,” and directed the first productions of “Evita” and “The Phantom of the Opera,” just a few of his greatest accomplishments over a career that’s shaped Broadway since the 1950s.

Now the Great White Way is set to pay tribute to one of its own greatest stars: after years of delays — the show was originally supposed to open is 2013 — the biographical musical “Prince of Broadway” will open at the Manhattan Theater Club’s Samuel J. Friedman theater on August 24, 2017.

Prince himself, now 88 years old, will direct, with co-direction and choreography by Susan Stroman. The musical’s book was written by David Thompson, and Jason Robert Brown, of “The Last Five Years” fame, is overseeing the writing and arranging the show’s music, which will include hits from many of Prince’s past triumphs.

The Broadway engagement of “Prince of Broadway” will be the show’s second production, after a run in Japan in 2015. Prince has won more Tony Awards than anyone else in history: a cool 21. While there have been questions about the promise of “Prince of Broadway” — after the show’s indefinite postponement in 2013, The New York Times’s Patrick Healy reported there had been “negative buzz among some theater insiders after a closed-door backers’ presentation of the show ” — perhaps the new show will help him gain yet another jewel for his crown.

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse..

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

—  Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.