Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Culture

Chagall’s ‘The Lovers’ Covered At The Met In Recognition Of Refugees

The Metropolitan Museum of Art is making a bold statement with one of its boldest holdings.

“The Lovers” by Marc Chagall is covered this week in recognition of World Refugee Day on June 20, Artnet reported. The move is part of a partnership between the Met and the International Rescue Committee to draw attention to the work of refugee artists.

The Met said it is hiding the artwork, which is concealed by a gray curtain, to demonstrate the cultural losses inherent when countries refuse refugees. The painting is well-picked, as it depicts Chagall and his first wife, Bella Rosenfeld Chagall, who arrived in New York as refugees shortly after the Nazis occupied France, where they were living at the time of the invasion. The Chagalls were both Jewish, born in the then-Russian Empire in what is now Belarus.

“The Met is committed to welcoming refugees and celebrating their past and present accomplishments and contributions,” museum director Max Hollein said in a statement.

While covering the Chagall is the most noticeable change to the Met’s collection this week, the museum is also identifying the work of other refugees, including Max Beckmann, Piet Mondrian and Max Ernst, with yellow labels. Guests of the museum are prompted to share photos of the art online with the hashtag #WorldRefugeeDay.

“We are honored to partner with The Met and spotlight the contributions refugees have made to art,” David Miliband, president and CEO of the International Rescue Committee said in a statement. “Marc Chagall, a pioneer of modern art who was resettled by the IRC, symbolizes one of the many ways refugees have shaped our world for the better, not only in the arts but in so many aspects of our society and culture.”

PJ Grisar is the Forward’s culture intern. He can be reached at grisar@forward.com

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

Now more than ever, American Jews need independent news they can trust, with reporting driven by truth, not ideology. We serve you, not any ideological agenda.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and the protests on college campuses.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly. 

— Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at editorial@forward.com, subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.

Exit mobile version