Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Culture

Mazel tov: First edition of Yiddish ‘Harry Potter’ sells out in less than 48 hours

Less than 48 hours after the Yiddish edition of “Harry Potter and the Sorcerer’s Stone,” translated by Arun Viswanath, became available for pre-order, the book sold out its first print run of 1,000 copies. (Viswanath is Forverts editor Rukhl Schaechter’s nephew.)

For a Yiddish publisher in 2020, that’s a sales number that’s almost magical.

A second edition is in the works, publisher Niklas Olniansky announced on Facebook.

“It’s crazy, it’s hard to believe,” said Olniansky, who is based in Sweden. “We thought that we wouldn’t be able to sell more than 1,000 copies of a non-Hasidic book.” Olniansky noted that so far copies have been ordered in the United States, Israel, Poland, Sweden, Morocco, Australia and China.

Few — if any — new Yiddish books published outside of the Hasidic world sell 1,000 copies in a year, let alone in 48 hours. Most new Yiddish books for adults are either self-published by their authors or released by one of two Israeli Yiddish publishers in modest editions of several dozen to several hundred. Authors organize their own publicity and sell their books largely by word of mouth among a small community of readers. Although some contemporary Yiddish fiction receives stellar reviews and literary awards, the small audience means that the industry goal, financially speaking, is breaking even, not making a living.

Olniansky typically prints about 500 copies of his books, which range from simple board books that teach vocabulary to bilingual Swedish and Yiddish storybooks to novels for older children. His publishing house, Olniansky Tekst, receives support from the Swedish government; in Sweden, Yiddish is an official minority language.

Within the Hasidic world, sales figures are higher but still modest by publishing industry standards. (Many books published for the American Hasidic market in Yiddish are simultaneously published in English and Hebrew for other Orthodox communities in New York and Israel, which helps to offset the cost.)

So how did the Yiddish edition of “Harry Potter and the Sorcerer’s Stone” manage to sell 1,000 copies in 48 hours? The popularity of “Harry Potter” is a key factor: Between the books, which have sold more than 500 million copies worldwide, the ongoing movie franchise and associated merchandise and theme parks, J.K. Rowling’s wizarding world is one of the most successful entertainment franchises in history. And translations of the books have become a popular learning tool for language students. Unsurprisingly, some of the people on social media who said they had purchased a copy are current or former Yiddish-language students. But native Yiddish speakers also appear, based on social media posts, to be a key group among those who purchased copies. And collectors who buy new translations of beloved books even if they can’t read them, a couple of whom have mentioned their purchase of the book on Twitter, are a third audience.

“I’m an optimist by nature but even I’ve been blown away by the enthusiasm. I’m thrilled,” said Arun Viswanath, the book’s translator, noting that he’s seen enthusiastic responses not only from Yiddish speakers and Jews more generally but among the wider community of language enthusiasts and people active in the Harry Potter fandom. “I hope people will be just as happy with the book as they were with the news of its release.”

While “Harry Potter and the Sorcerer’s Stone” in Yiddish has been an unusually big hit, it is only the latest in a long line of children’s books to be translated into the language of Sholem Aleichem. Prior to World War II, many major works of American and European children’s literature appeared in Yiddish translation. Among those you can read for free in the Yiddish Book Center’s online library are Mark Twain’s “The Prince and the Pauper,” Jonathan Swift’s “Gulliver’s Travels,” Rudyard Kipling’s “Rikki-Tikki-Tavi,” Charles Dicken’s “Oliver Twist” and Hans Christian Andersen’s “The Emperor’s New Clothes.”

In recent decades, new Yiddish translations of classic children’s literature have included Antoine de Saint-Exupéry’s “The Little Prince,” several works by Dr. Suess including “The Cat in the Hat,” H. A. Rey’s “Curious George” and A. A. Milne’s “Winnie-the-Pooh.”

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse..

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

—  Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.