Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
The Schmooze

Evan Rachel Wood on Motherhood and Romania

Evan Rachel Wood stars with Shia LaBeouf in Fredrik Bond’s Tarrantino-esque thriller, “Charlie Countryman,” which opened November 15 in limited release. LaBeouf plays Charlie, whose dead mother appears and sends him to Bucharest. The griefstricken and unglued Charlie goes through a series of bizarre events leading him to Gabi (Wood), a mysterious Romanian he falls instantly in love with. The trouble is, as director Fredrik Bond put it, “Gabi is like playing with plutonium.” It is a dark and twisted, yet funny love story, in the brutal underworld of Bucharest.

As for her personal life, Wood, born to theatrical parents Ira David Wood and Sarah Lynn Moore, has been acting since she was 5 years old. On July 29, Wood and her husband, actor Jamie Bell, had their first child. The Arty Semite caught up with her on Wednesday in the SoHo neighborhood of Manhattan.

Dorri Olds: Congratulations on being a mom. What do you like most about motherhood?

Evan Rachel Wood: Everything. It was my dream to be a mom so I’m loving it.

Is it hard getting back into the swing of work after having the baby?

Yeah, these last couple of days I’ve been having separation anxiety. I’m so used to having the baby right here [motions to her chest]. It’s strange. They become a part of you. I was lucky because I’d just done three films before I got pregnant so I was like, “I’m taking a break.”

What’s it like working with Shia LaBeouf?

I had a great time with him. He’s insanely dedicated and willing to go as far as he needs to go for a great performance. I admire him for that.

Did you join Shia when he took LSD to make the movie’s drug scene more believable?

No, luckily my role didn’t call for it. I wasn’t even there that day. I heard about it afterwards. He is a perfectionist so he wasn’t just doing it to have a good time. He wanted the scene to be as real as possible and that’s Shia.

How did you nail that Romanian accent?

I worked for three months with a dialect coach but before that, when I was cast in the film I had to show that I could do it so I’d worked on it for a while. Usually when you have to do a dialect, the coach stays with you throughout the whole movie but we didn’t have the money for that. Thankfully we were in Romania so the accent was constantly in my ear.

Was this your first time in Eastern Europe?

Yes, and I went to Amsterdam after filming to celebrate. I was surprised what a mellow place Amsterdam is.

How did you learn to play cello for the role?

I had a great girl teach me in Romania. It was much harder than I thought it was going to be. I was given a song to learn. When I showed up for the big scene where Gabi is crying because her father just died and she’s playing with the orchestra, I began playing on set but the rest of the band was playing a different song. I had learned the completely wrong music for the scene. It was the last day and we had no time so Fredrik, the director, looked at me apologetically and said, “Can you just look out of the corner of your eye and watch the person next to you and just mimic what they’re doing?” I was like, “Are you serious?” It was the most important scene. But I said, “Okay,” and somehow it worked. I don’t know how.

How did you research the strip club scene?

[Laughs] Lots of stripping. No, kidding. We spent a lot of time in Bucharest and immersed ourselves in the culture. Our Romanian crew and their work ethic was amazing.

What attracted you to the script?

When I read the description of the character it said, “She’s got the aim of Annie Oakley and Ziggy Stardust hair.” That’s all I had to hear to say, “I’m in.”

Your husband is in a movie with Shia also, right?

Yeah, right after we finished “Charlie Countryman” they began working together on Lars von Trier’s “Nymphomanic.”

What are your upcoming projects?

Next year I’m doing “Into the Forest” with Ellen Page. It’s based on a wonderful book which Ellen found and she’s producing the project. We’ve just started collaborating on that and gearing up. I’m really excited.

Watch the trailer for Charlie Countryman’:

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

Now more than ever, American Jews need independent news they can trust, with reporting driven by truth, not ideology. We serve you, not any ideological agenda.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and the protests on college campuses.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly. 

— Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at editorial@forward.com, subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.

Exit mobile version