‘Women can choose to knock each other down or build each other up,’ Ivanka tweeted in response to the art piece. Image by Getty Images

Will Ivanka Trump’s role in her father’s administration merely leave crumbs for other women? Or will she be instrumental in draining — nay, vacuuming — the swamp?

A participatory performance art piece in Washington DC’s Flashpoint Gallery, “Ivanka Vacuums,” asks viewers to throw breadcrumbs at a tall, blonde woman, a doppelgänger for Ivanka Trump. The model, in a pastel bell-sleeved gown with elbow-bows and stilletos, vacuums up the crumbs endlessly in the work by noted artist Jennifer Rubell, of the ritzy Jewish Rubell family.

Trump and her brothers Eric and Don Jr. both responded critically.

“Women can choose to knock each other down or build each other up. I choose the latter,” Ivanka tweeted, including a link to a piece about the artwork. Don Jr. called it sexist, and both he and brother Eric trumpeted Ivanka’s connection to women’s issues.

A closer look at the artwork shows that it is neither sexist nor feminist, but rather an exploration of the role Ivanka’s femininity has played in her political life. Indeed, Rubell suggests that it is less of an indictment of Ivanka than of us, for our fascination with Ivanka.

“Inspired by a figure whose public persona incorporates an almost comically wide range of feminine identities — daughter, wife, mother, sister, model, working woman, blonde — ‘Ivanka Vacuuming’ is simultaneously a visual celebration of a contemporary feminine icon; a portrait of our own relationship to that figure; and a questioning of our complicity in her role-playing,” reads a press release for the two-week instillation. And despite protests from Trump family members, Rubell told Refinery29 that she hopes the crumbs will represent “The cheapness of our appreciation of her. Her desire to clean things up…One thing [tossing the crumbs] could say is that we’re all complicit in this dynamic and how it relates to feminism and femininity.” She responded to Ivanka, inviting her to form her opinion in person:

“Art can offer a truth that politics can’t,” she said. “It can create a portrait of things that contradict each other. This is a great gift of art and a great defect of politics.”

“Ivanka Vacuums” runs through February 17.

Jenny Singer is the deputy life/features editor for the Forward. You can reach her at Singer@forward.com or on Twitter @jeanvaljenny

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

The coming year promises to be filled with more complex and historic developments. We are entering an era where independent, fact-based Jewish journalism will be more important than ever. We need to be ready for whatever 2025 will bring, and with your help, we can be.

We’ve set a goal to raise $260,000 by December 31. That’s an ambitious goal, but one that will give us the resources we need to invest in the high quality news, opinion, analysis and cultural coverage that isn’t available anywhere else.

If you feel inspired to make an impact, now is the time to give something back. Join us as a member at your most generous level.

—  Rachel Fishman Feddersen, Publisher and CEO

With your support, we’ll be ready for whatever 2025 brings.

$36 $500

$120 $180 Other amount