“Take the time to be brief.” That’s the advice Edith Pearlman, one of five finalists for the National Book Award in fiction, wants to give to young writers. Pearlman’s book, “Binocular Vision,” did not win, perhaps because a collection of short stories has not won since Andrea Barrett’s collection, “Ship Fever,” was victorious in 1996….
“I’m not looking at Aharon…” “He’s looking at you.” It’s not often that professors of literature have a chance to speak about a writer’s work in front of him. This interchange between Iris Milner, of Tel Aviv University, and Yigal Schwartz of Ben Gurion University of the Negev, took place at the International Conference on…
“The teachers here get to know you, instead of getting to know what they can change about you,” said Rochel Goldsmith, a fine arts and writing student at the Tzohar Seminary for Chasidus and the Arts, a one-year Lubavitch seminary for post high school girls opened this fall in Pittsburgh, Pa. Her peer, Rivka Eilfort,…
On March 22, I went to a “Serious Night” party at B’nai Emet synagogue, in St. Louis Park, MN where the bar mitzvah scenes as well as some others in the Coen brothers film “A Serious Man” were filmed. One of the audience members recounted his query to one of the Coen brothers asking why…
Someone on the grounds crew at the Corporation of Yaddo, the artists colony in Saratoga Springs N.Y., has a sense of humor. In the “Breast Room” (so-called because Philip Roth wrote “The Breast” while residing in it) of the West House building, the shower is mislabeled. When one turns the dial from off at the…
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