Philologos wakes up and ponders his identity. Vladislav Davidzon evaluates the continuing influence of the L=A=N=G=U=A=G=E poets. Ed Rampell goes to see “Mlle. God” by Nick Kazan, son of famed director Elia Kazan. Benjamin Ivry revisits the work of Italian Jewish painter Carlo Michelstaedter. Allan Nadler contests the notion that the tradition of Jewish secularism…
“There isn’t an after party because I know pretty much everyone here,” composer David Amram announced at the end of his 80th birthday celebration at Symphony Space on November 11. “I figured that with 500 of you, plus your dates, plus the 60-piece orchestra, the rest of the performers and our families, we’d need Madison…
Before Jack Abramoff was an American super-lobbyist, half-successful restaurateur, and convicted con man, he was a movie producer, known for bankrolling the 1989 Dolph Lundgren actioner “Red Scorpion” (part of Cold War cinema’s deconstructionist, though still violently anti-Soviet phase). It’s appropriate then, that George Hickenlooper’s Abramoff biopic, “Casino Jack,” which premiered last week at the…
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