JEWISH. INDEPENDENT. NONPROFIT.
Perhaps the most famous event in modern klezmer happened when Henry Sapoznik, 61, went to North Carolina as a young man to study banjo with oldtime player Tommy Jarrell. Jarrell, realizing that Sapoznik was Jewish, asked the younger musician, “Don’t your people got none of your own music?” That question helped launch the klezmer revival,…
Thirty years ago, klezmer music was a dying art, played mostly by aging musicians at the occasional wedding or bar mitzvah. That started changing in the late 1970s with the klezmer revival, and especially with KlezKamp, one of the first klezmer festivals and a training ground for new artists. Now, KlezKamp, the annual festival of…
Crossposted From Under the Fig Tree Over the years, I’ve attended lots of symposia but never one that began with the ringing of chimes and concluded with a most hearty and prolonged round of applause. These two sounds, along with the sight of presenters swaying to the beat of “Yiddish Melodies in Swing” or singing…
Crossposted From Under the Fig Tree Nearly 30 years ago, when musician and musicologist Henry Sapoznik first stumbled across a cache of aluminum transcription disks of Yiddish radio shows from interwar America, little did he suspect that they would find a home at the Library of Congress. Abandoned in an attic, deposited in a dumpster,…
On the Yiddish Song of the Week blog, Pete Rushefsky writes about Josh Waletzky and “Yaninke,” a song Josh learned from his father, Sholom Waletzky: One of the leading contemporary composers of Yiddish song, Josh Waletzky (b. 1948) grew up in a family that was deeply embedded in the secular Yiddish world of Camp Boiberik…
THE TEMPLE EMANU-EL STREICKER CENTER and Virtual
Aug 10, 2022
7 pm ET ·
Will the last Jew left in New York’s congressional delegation be reelected? Will New York’s senior congresswoman receive another term? Or will one of the newcomers upend Manhattan politics?
