The current production in New York City’s legendary LaMama Experimental Theatre Club’s 50th anniversary season is a duo of one-acts from Tel Aviv’s Nephesh Theatre, each based on a short story by a Nobel Prize-winning Jewish writer — the first, “Gimpel the Fool,” based on the celebrated Isaac Bashevis Singer story; the second, based on…
Is there room for a klezmer musical on Broadway? I think so. The band for “Shlemiel the First,” led by the Folksbiene National Yiddish Theatre’s Zalmen Mlotek, is so good that during the exit music a sizeable portion of the audience drifted down toward the pit instead of up to the exits. Costumed as an…
An exhibition of rare Jewish books, now on display at the Jewish Religious Center at Williams College, Massachusetts, marks the center’s 20th anniversary. Alumnus and Jewish art collector Sigmund R. Balka loaned the books — part of his own personal Judaica collection — to the center as a means of honoring its contribution to his…
Leigh Kamping-Carder tells the story of the Mexican Suitcase, a collection of photographs from the Spanish Civil War by Robert Capa, Gerda Taro and David Seymour that got lost in Mexico for almost 70 years. Ilan Stavans wonders why we can’t escape from Harry Houdini. Shoshana Olidort reviews Avi Steinberg’s “Running the Books: The Adventures…
In the 1920s, Yiddish was more than just a lingua franca for East European Jewish émigrés; it was also a language of high culture, as demonstrated by a brilliant new book, “Yiddish in Weimar Berlin: At the Crossroads of Diaspora Politics and Culture” (Legenda Books), edited by New York University Yiddish scholar Gennady Estraikh and…
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