“Zero Motivation,” which won the best narrative feature award at this year’s Tribeca Film Festival, is an IDF version of “M* A* S* H.” Apparently, not everyone in the Israeli military is a gung-ho paratrooper. They also serve who push pencils around in boring circles. In this film, two women stationed at a military base…
Eytan Fox’s latest film, “Cupcakes,” (“Bananot” in Hebrew, meaning bananas) will receive its U.K. gala premiere when it closes the 17th UK Jewish Film Festival on November 17, in London. A feel-good musical comedy about love, life and friendship, the movie is a significant shift away from the award winning writer-director’s previous works such as…
Nothing brings people together — or rips them apart — like zombies. In the recent Hollywood blockbuster “World War Z,” Israelis and Palestinians band together against swarming hordes of the undead. But this unlikely coalition is short lived. The noise of their joint celebration attracts thousands of flesh-eaters who hurl themselves over a massive security…
In a world of insecurity and competition, sometimes the only way for a teenager to raise their social status is to act out — and usually, that involves sex. So goes the uncomfortably realistic narrative of “Six Acts,” an Israeli film by director Jonathan Gurfinkel and writer Rona Segal that will screen at New York’s…
It seems certain that even the most scrupulous secular observer of the contemporary ultra-Orthodox experience, anywhere on the planet, will not have been privy to the intimacy and profound declarations of feeling and affection on display in “Fill the Void,” the daring, devastating debut from female Hasidic filmmaker Rama Burshtein. The Israeli movie, which recently…
When emailing and skyping with Guy Davidi, the 33-year old Israeli co-director of “5 Broken Cameras,” opening May 30 in New York at the Film Forum, one encounters a sophisticated — albeit imperfect — speaker of English, with a vaguely British accent. His views, however, are always sharp: “My belief is that the construction of…
“THE STATE OF ISRAEL IS UNDER ATTACK,” blares the headline in May’s Rue Morgue magazine. But the threat’s not coming from the usual suspects. This time, it’s zombies, serial killers and apocalyptic plagues that have the country on high alert. And it’s happening on the big screen. Israeli horror is finally coming into its own…
Image courtesy of Dragoman Films “Je T’aime, I Love You Terminal,” screening this month at the Detroit Jewish Film Festival, is a cautionary tale about the dangers of indecision — that when we’re faced with two options, choosing neither is often worse than choosing the wrong one. To a lesser extent, the film is about…
דער העלד פֿון „צוזאַמענבראָך“ פֿאַרלאָזט זײַן פֿרוי און קינד און לאָזט זיך גיין אויף אַ קאָמפּליצירטן גײַסטיקן דרך.
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