Leni Riefenstahl’s Nazi sympathies ran deeper than she admitted, a new documentary about the director argues
The new documentary “Riefenstahl,” which premiered at the Venice Film Festival, takes a critical look at the “Triumph of the Will” filmmaker
Leni Riefenstahl
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Culture Did the Trump White House really echo ‘Triumph of the Will’?
In film theory, there’s something called the Kuleshov Effect, which teaches that juxtaposing images in sequence can suggest completely different reads of a shot. The typical example is an image of a blank-faced man placed alongside an image of a baby in a casket, a pairing that makes viewers interpret the man’s expression as sad…
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The Schmooze Is Madonna’s New Film Soft on Nazis?
Madonna brought Kabbalah to the masses, but New York magazine still wonders whether her new movie might have a “Jewish problem.” Last week, the singer attended the Venice Film Festival premiere of “W.E.,” her second effort as a director. Early reviews were mostly abysmal, but the film’s quality is only part of the story. Co-written…
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The Schmooze Friday Film: Selective Memory in East Germany
The East German anti-Nazi films “The Murderers Are Among Us,” “The Gleiwitz Case,” “I Was Nineteen,” and “Naked Among Wolves” have all been released on DVD before, but now they are being released together in a box set. Naturally, the juxtaposition of the four films invites comparisons. While “Murderers” and “Gleiwitz” are interesting, “Nineteen” and…
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Film & TV Leni Online
Back in May, our Gabriel Sanders interviewed Leni Riefenstahl biographer Steven Bach at New York’s Museum of Jewish Heritage. The interview has since been broadcast on C-Span and is now available online. The broadcast includes a short excerpt from the filmmaker’s 1938 documentary “Olympia” and — at the tail end — a question from Gabriel’s…
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