In Two Films, Opposite Sides Of The Holocaust’s Intergenerational Trauma
In the opening shots of Chantal Akerman’s 1980 film “Dis Moi” (or “Tell Me”), the director shows herself unhurriedly traversing the streets of Paris. Set against these disarmingly low-key images, we hear a conversation between the director and her mother, Natalia, or Nelly, who lost her own mother – Chantal’s grandmother – in the Holocaust….