Two Israeli films are on the Academy Awards’ short list for the best documentary category, along with one created by a 2012 Forward 50 selection. “5 Broken Cameras,” directed by Emad Burnat and Guy Davidi; and “The Gatekeepers,” directed by Dror Moreh, were among the 15 finalists culled from 126 films in the best documentary…
My documentary “Ai Weiwei: Never Sorry,” about a Chinese artist who fights for freedom of expression and clashes with authorities because of it, had its first public screenings in January at the Sundance Film Festival. I was wide-eyed, dazzled and overwhelmed that week, my first film festival experience with my first film: audiences clapping, countless…
After an impressive few years of Israeli films showcased prominently at the Berlin Film Festival, there was a conspicuous dearth of Israeli fare this year. The Berlinale, which ran from February 9 to 19, has a reputation for tackling political issues. This year, it decisively chose to highlight films from hotbed countries, including Egypt, Yemen…
Having grown up in suburban Philadelphia, born to a Yiddish-speaking mother, Alison Klayman is a surprising conduit for China’s most famous dissident artist. In between many jobs, including writing for this newspaper (and interviewing the Chinese about their knowledge of Jews and Judaism before the influx of visitors for the 2010 Olympics, for JTA), she…
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