Two months — that’s all it took to transform a 1920’s-style black gown into a shimmering, salt-covered piece of art. Israeli artist Sigalit Landau submerged a dress — a replica of the traditional Hasidic one worn by the character Leah in the seminal Yiddish play “The Dybbuk” — into the Dead Sea in 2014 and…
Sigalit Landau is known for provocative work, like the notorious video piece that showed her spinning a barbed wire hula-hoop, naked. But Landau’s new show might be her saltiest yet. The haunting assemblage of objects in “Snow in Jerusalem,” which runs through April 25 at Toronto’s Olga Korper Gallery, includes a bridal gown, violin, and…
Standing naked on a Tel Aviv beach, Sigalit Landau spins a hula-hoop around her waist. But instead of plastic, the hoop is made of barbed wire — and lacerates Landau’s belly throughout the minute-long performance. The mesmerizing video piece, “Barbed Hula” (2000), is one of six video works in a new retrospective of Landau’s work…
Crossposted from Haaretz Careless customs officials apparently destroyed works by a prominent Israeli artist that had been sent back to Israel after being shown at the Venice Biennale. Sigalit Landau discovered last week that her works, which had returned to Israel packed in a shipping container, had been dismantled with what she called “brutality and…
‘DeadSee,’ by Sigalit Landau. Courtesy of the artist and Kamel Mennour Gallery. While pavilions at the Venice Biennale are typically shrouded in secrecy in the months approaching one of the art world’s biggest events, the content of Israel’s pavilion this year is under especially opaque wraps. In June, Israel will be represented by 42-year-old artist…
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