Spring is finally, mercifully upon us. For the first time in months, barring a few anomalies, I walked around with my coat unzipped, breathing in the sweet, fresh, warm air of Manhattan’s Financial District. It was sublime. Yet, as Stravinsky knew well, spring and its mysteries can ignite a primitive flame within us. So I…
Stanley Kubrick’s masterpiece “2001: A Space Odyssey” was released in April, 1968, which makes it fifty years old this year. It reinvented the science fiction genre but significantly was underpinned with Jewishness. “2001” was backed by MGM, a studio otherwise known as “Mayer’s Gantze Mishpochah.” It was perceived as a very Jewish firm abroad in…
As Donald Trump and Kim Jong-un engage in nuclear brinkmanship, very real fears of a nuclear Armageddon have emerged. Given that Armageddon has a Hebrew origin (via the Greek translation of Har Meggido), it is not surprising that Jews have had a considerable interest in nuclear apocalypse. Consider the title of MAD magazine, echoing 1950s…
How much the styles of Swinging London in the sixties depended on the creativity of Jewish craftspeople remains to be fully appreciated. Leonard Lewis, the hairstylist known as Leonard of Mayfair, who died on November 30 at age 78, was part of the mix. Raised in the Shepherd’s Bush area of west London, Lewis explained…
For the first time since it embarked on an international tour, “Stanley Kubrick: The Exhibition” is showing at a Jewish museum. San Francisco’s Contemporary Jewish Museum proves to be an awesome setting for a complicated, Jewish artist whose films continue to entertain, haunt and provoke. Few filmmakers have been parsed, praised and criticized as much…
The Viennese Jewish doctor Arthur Schnitzler, whose 150th birthday was on May 15, 2012 wrote dozens of plays, including “Professor Bernhardi,” about a Jewish doctor, and “Round Dance,” adapted by the German Jewish director Max Ophüls into the 1950 film classic “La Ronde.” Schnitzler’s “Dream Story” inspired the 1999 Stanley Kubrick film “Eyes Wide Shut”…
“Weimar Cinema, 1919–1933: Daydreams and Nightmares,” running at MoMA until March 7, 2011, is billed as the largest-ever retrospective of German cinema from between the Wars to be shown in the United States. The era’s defining cinematic style, expressionism, is well-represented in dozens of offerings, giving a healthy dose of the atmospheric, disturbing and downright…
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