Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
News

Chava Rosenfarb, Celebrated Yiddish Writer, Dies at 87

Chava Rosenfarb, who died on January 30 at the age of 87 in Lethbridge, Alberta, was a Yiddish prose writer and poet who made her mark as a postwar Yiddish writer in Canada. One of the few female novelists in Yiddish, Rosenfarb was a Holocaust survivor whose landmark Holocaust trilogy — published in 1972 and translated between 2004 and 2006 as “The Tree of Life: A Trilogy of Life in the Lodz Ghetto” — remains one of the seminal works of fiction about the Holocaust in any language.

Born February 9, 1923 in Lodz, Poland, Rosenfarb came from a Bundist family who sent her to the local secular Yiddish school. By the time Rosenfarb graduated from high school, Germany had invaded Poland, and the Jewish community of Lodz was confined to the city’s ghetto. There, Rosenfarb began writing poetry. Her work soon gained the attention of noted Lodz writer Simkha-Bunim Shayevitsh, who welcomed her into the ghetto’s literary circle.

Rosenfarb

Recognition: Rosenfarb receives the Manger Prize, Israel, 1979. Image by Courtesy of Goldie Morgentaler

When the ghetto was liquidated in 1944, Rosenfarb was sent to Auschwitz and eventually Bergen-Belsen. Though she and mother and sister survived the war, Rosenfarb’s father was killed when the Nazis began shipping prisoners out of Dachau in the face of the Allied advance. After the war, while briefly in Belgium, Rosenfarb married Henry Morgentaler, a fellow survivor who later became renowned as a prominent abortion rights advocate in Canada. Together the couple had two children, although they subsequently divorced in 1977. While in Belgium, Rosenfarb continued writing poetry, including the 1948 book-length poem for her father, “Dos Lid fun Yidishn Kelner Abram” (“The Song of the Jewish Waiter Abram”).

After immigrating to Montreal in 1950, Rosenfarb quickly became involved in the city’s Yiddish literary community. Her daughter, Goldie Morgentaler, now a professor of English literature at the University of Lethbridge, recalls her mother giving talks at the Jewish Public Library and hosting Yiddish writers who were visiting the city.

Though Rosenfarb began her career writing poetry, she later branched out into other genres, including drama, memoir, short story and the novel. Rosenfarb’s play “Der Foygl fun Geto” (“The Ghetto Bird”), about Vilna resistance fighter Yitzhak Wittenberg, was translated into Hebrew and produced by the HaBima Theater in Israel in 1966.

Rosenfarb’s greatest achievement, however, was “The Tree of Life,” an epic three-volume novel that draws on her wartime experiences, re-creating nearly the entirety of ghetto life. While the novel is a work of fiction, it also paints a complex portrait of Mordechai Chaim Rumkowski, the reviled chairman of the Judenrat, who was tasked by the Nazis with administering the ghetto.

“She always conveyed to me what I think of as a clear-sighted view of being a Yiddish writer after the Second World War,” said Norman Ravvin, chair of the Concordia Institute for Canadian Jewish Studies, in Montreal. And, talking about her as a Holocaust writer, he added, “I was always struck by the lack of sentimentality and bitterness.”

While Rosenfarb established her reputation in the Yiddish literary world, winning the prestigious Manger Prize in 1979, she had more difficulty gaining recognition for her work in English.

“She had a very hard time getting people interested, because her books were in Yiddish and they were very long,” said Goldie Morgentaler, who collaborated with her mother on several translations. “Publishers were reluctant to take a chance on a long book by a writer nobody had heard of.”

Bono Wiener, a childhood friend from Lodz, became Rosenfarb’s partner after her divorce. They lived together half the year in Melbourne, Australia, and half the year in Montreal, until his death in 1995, after which she moved temporarily to Toronto. Since 2003, Rosenfarb had lived near her daughter, in Lethbridge. And when, in 2006, she received an honorary doctorate from the University of Lethbridge, she became the first Yiddish writer to receive such an honor from a Canadian university.

Rosenfarb’s last work, “Briv tsu Abrashn” (“Letter to Abrasha”), published in 1992, deals ever more closely with brutal Holocaust experiences, depicting not the ghetto, but concentration camps. Though currently unavailable in English, the book is in the process of being translated by her daughter.

“I think it’s an extraordinary book. It’s fiction, but fiction written by someone who was actually there,” Morgentaler said. “You get a sense of the anxiety, the horror, of just living day to day and not knowing if the people you love are going to survive.”

In addition to her daughter, she is survived by her son, Abraham, and by her sister, Henia Reinhartz.

A message from our CEO & publisher Rachel Fishman Feddersen

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

—  Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.