The Babylonian Talmud counsels that at times of bitterest cold, it is best to say, “Such is the way of the world,” and then “observe eight days of festivity.” One such ideal post-winter solstice festivity for Manhattanites is a January 11 Carnegie Hall recital by America’s sweetheart of song, soprano Renée Fleming, in a program of German Jewish composers of art songs, including Arnold Schoenberg, Alexander Zemlinsky, and the ever-schmaltzy Erich Wolfgang Korngold.
Another German Jewish contemporary of these masters, Kurt Weill, is honored on January 25-26 with Collegiate Chorale concert performances of the 1938 musical “Knickerbocker Holiday” at Alice Tully Hall. Starring Victor Garber, a beloved Canadian performer of Russian Jewish ancestry, as Governor Peter Stuyvesant, “Knickerbocker Holiday” is noteworthy — even apart from the immortal melody “September Song” — for its disconnection between Weill, who saw the work, set in colonial New Amsterdam, as anti-fascist allegory, and playwright/lyricist Maxwell Anderson, who intended it as a screed against then-President Franklin D. Roosevelt.
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