Zubin Mehta has been the musical leader of the Israel Philharmonic Orchestra for four decades.
A concert by renowned conductor Zubin Mehta in Indian-controlled Kashmir, where separatist groups are fighting New Delhi’s rule, was mired in controversy on Sunday, posing potential diplomatic embarrassment for Germany, whose ambassador organised the event.
A planned concert by the Bavarian State Orchestra and renowned conductor Zubin Mehta in Indian-controlled Kashmir has angered separatist groups in the disputed Himalayan region, and security forces are mounting a major operation to keep the visitors safe.
Conductor Zubin Mehta was awarded a Presidential Medal of Distinction by Israeli President Shimon Peres.
As this fall’s concert season kicks off, Manhattanites in search of classical performances with a dollop of Yiddishkeit will have a delightful array of choices, starting with the genial ghost of beloved Austrian Jewish violinist Fritz Kreisler, which presides over the New York Philharmonic’s Opening Gala. On September 27 at Avery Fisher Hall, Itzhak Perlman will play Kreisler’s “Tambourin Chinois,” which some music snobs might see as an unadventurously musty selection for such a high-profile orchestral outing, but Kreisler’s legion of fans will be ever-grateful.
One might be forgiven, upon first listening to the NAXOS recording of Avner Dorman’s concertos performed by Andrew Cyr’s Metropolis Ensemble, for not feeling immediately convinced that these are, in fact, concertos in any traditional sense. There are no buoyant Mozartian introductions here, no grand orchestral pauses to launch soloists into rapturously virtuosic cadenzas before a triumphant final cadence. Those squeamish about contemporary orchestral music might initially recoil from what is strange and new in Dorman’s work: unsettling harmonies, unusual pairings of instruments, extended instrumental techniques. Ultimately, though, there is plenty here that is familiar. Dorman, a 35-year-old Israeli composer and protégé of John Corigliano and Zubin Mehta, has an eclectic approach — borrowing elements from jazz, pop, and Middle Eastern musical idioms — that makes his music surprisingly accessible.
The Babylonian Talmud counsels that at times of bitterest cold, it is best to say, “Such is the way of the world,” and then “observe eight days of festivity.” One such ideal post-winter solstice festivity for Manhattanites is a January 11 Carnegie Hall recital by America’s sweetheart of song, soprano Renée Fleming, in a program of German Jewish composers of art songs, including Arnold Schoenberg, Alexander Zemlinsky, and the ever-schmaltzy Erich Wolfgang Korngold.